Produkte · NEU

Cinematic Showcase 2

Du ergänzt: Ein klares Bild des Motivs und des gezeigten Fahrzeugs oder Produkts. Lade es im Studio hoch.

Virale Inspiration

Hochwertige Fünf-Sekunden-Inspirationsvorschau. Generiere eine 5s- oder 10s-Aufnahme oder plane einen Film mit mehreren Aufnahmen von 30–120s.

EXAKTER COMMUNITY-PROMPT

TASK & FORMAT

Generate a highly realistic 9:16 vertical multi-shot video using @video1 strictly as a camera-animation and editing blueprint.

Preserve the camera choreography, shot order, cut timing, shot durations, framing progression, camera movement style, perspective changes and overall editorial rhythm from @video1.

This is a full visual replacement task:
all visible source hero objects in @video1 must be replaced by the subject from @image1.

If @image2 is provided, use it as the environment and lighting reference.
If @image2 is not provided, preserve the general environment category from @video1 but do not inherit the original source-object identity, source-object materials or source-object details.

REFERENCE CONTRACTS

@video1 — CAMERA / EDITING / MOTION BLUEPRINT ONLY

Use @video1 exclusively for:
- shot count
- shot order
- cut timing
- shot duration
- framing logic
- camera positions
- camera angles
- lens feeling
- motion trajectories
- tracking / dolly / orbit / zoom behavior
- relative camera-to-subject movement
- editorial pacing

Do not inherit from @video1:
- source object identity
- source object geometry
- source object materials
- source object textures
- source object colors
- source object reflections
- source object branding
- source object surface details
- source-object-specific lighting cues
- source-object-specific accessories
- source object fragments in transitions

@image1 — ABSOLUTE REPLACEMENT SUBJECT IDENTITY

The subject shown in @image1 is the only hero replacement subject.

It may be anything:
a cube, product, machine, motorcycle, car, fruit, animal, human, fictional character, sculpture, furniture, building, abstract object or any other physical subject.

Preserve exactly:
- recognizable identity
- silhouette
- proportions
- geometry
- structure
- topology
- anatomy or construction
- color
- materials
- texture
- surface finish
- distinctive features

If @image1 contains multiple views of the same subject, treat them as one single subject shown from different angles.

If @image1 shows a cube, then the replacement subject must remain a cube in every shot.
Do not reinterpret the cube as a vehicle, machine or other object.
Do not borrow structural features from the source object in @video1.

@image2 — OPTIONAL ENVIRONMENT / LIGHTING REFERENCE

If @image2 is provided, use it as the full environment reference.

Preserve:
- location identity
- background layout
- environment type
- surfaces and ground
- atmosphere
- weather
- time-of-day appearance
- lighting direction
- lighting softness or harshness
- shadow behavior
- color temperature
- reflections that belong to the new environment

Do not invent new dominant light sources, sun flares, glowing backlight, dramatic golden-hour lighting or other visual effects not supported by @image2.

If @image2 is not provided, keep the environment functionally compatible with @video1 camera choreography, but never let the source object's visual identity leak back into the result.

REFERENCE PRIORITY

Priority 1:
@image1 controls the replacement subject completely.

Priority 2:
@image2 controls the environment and lighting if provided.

Priority 3:
@video1 controls only camera animation, framing, editing and motion design.

These roles must never overlap.

CORE REPLACEMENT RULE

Completely replace the source hero object from @video1 with the exact subject from @image1 in every shot and from the very first frame.

The replacement must already be fully established at frame 1.

No partial transformation.
No delayed replacement.
No source-object fade-in.
No source-object remnants.
No temporary source geometry.
No source-object contamination during cuts.
No mixed identity.

If the source video contains one main hero object, replace that main object with @image1.
If the source video contains repeated views of the same hero object across multiple shots, every such appearance must be replaced by the same consistent subject from @image1.

CAMERA PRESERVATION RULE

Preserve the camera animation from @video1 as closely as possible.

Match:
- camera path
- movement speed
- acceleration and deceleration
- relative framing progression
- angle changes
- zoom progression
- tracking direction
- orbit behavior
- macro-to-wide rhythm
- cut timing

Do not keep source-object geometry just to preserve the shot.
Instead, adapt the framing scale only as much as necessary so the subject from @image1 fits naturally into the original shot design.

The camera language must feel like the same video, but the visible hero object must belong only to @image1.

FRAME 1 LOCK / SOURCE ARTIFACT ELIMINATION

At 0.00s, the visible hero subject must already be fully reconstructed from @image1.

No source-frame blending.
No residual source pixels.
No texture bleeding.
No leftover carbon-fiber patterns unless carbon fiber genuinely exists on @image1.
No source vehicle body panels.
No source wheels.
No source lights.
No source mechanical details.
No source-object overlays.
No one-frame flashes of the original object.

This applies especially to:
- opening frames
- first shot
- first frame after every cut
- motion-blurred transitions
- macro close-ups

UNIVERSAL SUBJECT HANDLING

If @image1 is a non-living object:
keep it structurally stable and physically coherent.
Do not animate it unnecessarily.
Let the motion come mainly from the camera unless the source shot clearly implies object motion.

If @image1 is a vehicle or machine:
preserve its exact construction and moving parts.
Only animate motion that is physically appropriate.

If @image1 is a human, humanoid character or animal:
preserve identity, anatomy and proportions.
Add subtle natural motion where appropriate:
- breathing
- blinking
- micro head movement
- small posture adjustments
- natural eye movement
- realistic weight balance

When appropriate and when eyes are visible, the living subject may subtly follow the camera with the gaze in selected shots.

SHOT STRUCTURE

Reproduce the original multi-shot structure of @video1 exactly.

For each shot:
- preserve its role
- preserve its duration
- preserve its framing logic
- preserve its camera motion
- preserve its cut position

The visible subject in every shot must be the replacement subject from @image1, not the original source object.

When the original shot is a macro close-up, show a real detail that genuinely exists on @image1.

When the original shot is a wide hero shot, show the full or appropriately readable form of @image1.

When the original shot is a side, front, rear, top or three-quarter angle, reinterpret that angle faithfully for the actual structure of @image1 without borrowing geometry from the source object.

If @image1 is a cube:
- side shots should show the cube from a corresponding side-oriented angle
- macro shots should focus on real cube edges, corners, surface finish or material detail
- top shots should show the cube from above
- three-quarter shots should show the cube volumetrically
- do not invent wheels, bodywork, cockpit, lights or other features from the source footage

IDENTITY LOCK

The subject from @image1 must remain absolutely consistent across all shots.

No redesign.
No morphing.
No size drift.
No material drift.
No anatomy drift.
No geometry drift.
No category drift.
No extra subject copies.
No conversion into a more generic version.
No stylized reinterpretation unless the reference itself is stylized.

ENVIRONMENT LOCK

If @image2 is provided, the environment must remain consistent with @image2 in every shot.

If @image2 is not provided, keep the environment visually coherent across shots and compatible with the camera choreography, but do not allow the source object's identity to contaminate the scene.

Maintain:
- correct perspective
- proper grounding
- correct contact shadows
- consistent lighting
- plausible reflections
- realistic integration between subject and setting

REALISM / PHYSICS

Use realistic scale, contact, lighting, materials and motion.

The replacement subject must behave according to its actual physical nature.

Rigid objects remain rigid.
Soft materials behave appropriately.
Living subjects move naturally.
Machines move plausibly.

Avoid floating, clipping, broken structure, impossible deformation or unstable proportions.

AUDIO

Generate subtle, realistic sound only from visible actions and motion.

Use short, distinct and physically motivated Foley.

Keep sound clean.
Natural decay.
Near silence between isolated events when appropriate.

No bubbling or gurgling.
No added dialogue.
No music unless explicitly requested.

NEGATIVE CONSTRAINTS

Do not inherit:
- original object identity
- original vehicle structure
- original object materials
- original object textures
- original object surface patterns
- original object branding
- original object reflections
- original object-specific lighting
- original object-specific details

Do not create:
- source-object leftovers
- carbon-fiber contamination unless present in @image1
- random sun flare
- invented sunlight
- artificial cinematic glow
- mixed subject identity
- extra hero objects
- transitional ghosting
- crossfaded object blends
- source-object remnants in first frames
- unwanted text
- subtitles
- watermarks

FINAL RESULT

The final video must look like the exact same camera-driven sequence as @video1, but with the visible hero object fully replaced by the subject from @image1.

The source video contributes only camera animation, framing, movement and edit timing.

The replacement subject from @image1 must completely control what the viewer sees as the hero object in every shot.

If @image1 is a cube, the final video must clearly present that cube as the replacement subject throughout the full sequence, with no traces of the original object identity.

Dieser exakte Prompt benötigt erforderliche Referenzmedien oder beibehaltenes Audio, das dieses Modell nicht empfangen kann. Kopiere ihn zur Verwendung an anderer Stelle.

GENERIERUNGSPROMPT

Für das Modell unten angepasst, um ähnliche Inhalte mit deinem Bild zu erstellen. Ergebnisse variieren je nach Bild und Generierung.

Laden Sie ein klares Ausgangsbild hoch, das den Hinweisen zum Motiv entspricht.
Laden Sie mit dieser Vorlage den bearbeitbaren zehnsekündigen Prompt und die Einstellungen.
Generieren Sie eine Aufnahme von 5s oder 10s oder arbeiten Sie im Film Studio an einem längeren Film mit mehreren Aufnahmen weiter.

Kosten: 170 cr
Direkter Clip

Brauchst du ein längeres Video?

Plane den bearbeiteten Prompt als verbundene 10-Sekunden-Aufnahmen und füge sie zu einem 30–120 Sekunden langen Film zusammen.

Möchtest du Hilfe bei dieser Vorlage?

Übernimm den bearbeiteten Prompt in den LLM Chat. Dort stehen Prompt Writer, Storyboard, Model Picker und alle Studio-Werkzeuge bereit.

Im LLM Chat öffnen →

Erst beim Drücken auf Generieren wird etwas berechnet. Fehlgeschlagene Generierungen werden vollständig erstattet.